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Sunday, May 6, 2012

Ya Mijana!


My dear smug compatriots, I have been meaning to sneer at you about this for a while now. I shall skip unnecessary introductions and get right to the point. Arabic music is my chosen subject for tonight. I am sure 90% of you will have stopped reading already.
For those who haven’t, get ready to be taunted. Let me put it this way: have you ever been to a night club in Europe that plays Majida el Roumi or Amro Diab? Have you ever encountered a driver blasting Wael Kfoury or Najwa Karam in his car in South America? I bet you haven’t, or even if you have, then what a rare opportunity you have witnessed, an envious experience even!
People, my message here is simple: Get over yourselves and give some respect to your origins. I am not saying you should quit listening to foreign songs, I am not saying the Beatles were a fart or Bob Marley was an idiot. I am not asking you to delete Red Hot Chili Peppers from your iPods nor am I urging you to laugh at an indeed laughable Britney Spears. I am just trying to make you try and relate to a music that reeks of you although you keep trying to brush it off your shoulders as if it were dandruff.
Compadres, don’t get me wrong. This is not a shout for you to start enjoying Ali el Dik’s duo with Dominique Hourani. I am definitely not recommending petty, disgusting, or even insulting tunes. I am aware that Arabic music has been undergoing some serious damages lately, it has been stained by too many imbeciles and has been gradually - not to say totally - declining, but that doesn’t mean that our own oldies for instance, much like foreign oldies - to a difference, don’t remain actual pieces of art to this day.
What I actually have a problem with is your attitude towards Arabic music. It feels to me as if you have an internal buzzer that switches on the second you hear a Oud note or something. You are, plainly put, funny to me. You make me giggle at your poorly founded opinions and tastes.
It goes on without saying that I don’t listen to Ragheb Alama and Nancy Ajram from dusk till dawn, yet I don’t flinch at the thought of hearing their voices. Their songs are part of a popular culture I belong to, no matter how much I would have preferred belonging to another.
Try and enjoy the beauty of songs that speak of us, even though we deny our reflected identity through them. Music is the representative of cultures, and like it or not, you distinguishably make part of this culture. You don’t fancy our music as it is? Then do something about it, revolutionize it, don’t just heartily despise it.
Oh and a footnote for those of you who will feel unconcerned with the subject since they already listen to those 20 Arabic Jazz tracks we have in our repertoire, get over yourselves as well. Ziad el Rahbani, although I casually enjoy his music from time to time, is not the master.